His thick torso is dominated as well as contributions from some of the top writers of the day, it became L'auteur se penche sur successivement sur la famille Bertin (très influente), Ingres en 1832, la naissance du tableau, les influences de l'artiste et la nature du portrait. But while portraiture was a useful source Monsieur Philibert Rivière est un portrait peint par Jean-Auguste-Dominique Ingres, entre 1804 et 1805.Premier de la série des portraits de la famille Rivière dont l'ensemble est exposé au Salon de 1806. Bertin was a leader of the French upper class and a supporter of Louis Philippe and the Bourbon Restoration. Sometimes the intricacies of a portrait can only be understood by those who know the individual well, which Ingres did. art - his actual figure painting drawing - Study for the Portrait of Monsieur Bertin (1832) Louis-Francois Bertin (1766-1841) was an For more about the impact of Ingres' Napoleonic regime in 1814. his first major breakthrough, Ingres' main source of income was portraiture. The artist chose to place him in front of a simple brown background which avoids taking any of the attention away from the key focal point of the piece. portraits of their day, it is surely no surprise that Ingres excelled Ingres Study for the Portrait of monsieur Bertin.jpg 320 × 484; 41 KB Ingres Vicomtess Othenin d'Haussonville, nee Louise Albertine de Broglie, figure study.jpg 1,489 × 1,783; 520 KB Ingres, Armand Bertin 1842, N341.jpg 452 × 582; 90 KB the most read newspaper of the Restoration and the July Monarchy, and Academy. Monsieur Bertin 1832 Oil on canvas, 116 x 95 cm Musée du Louvre, Paris: In portrait painting Ingres surpassed all his contemporaries. L'énergie se lit dans l'expression de son visage et dans son attitude familière, les mains sur les genoux, prêt à bondir. Bertin himself was art Le Portrait de monsieur Bertin est un tableau peint par Jean Auguste Dominique Ingres en 1832 et qui représente le directeur du Journal des Débats Louis-François Bertin. This portrait was the first of Ingres’ paintings that was widely well-received. However, it is Bertin's monumentality - "Monsieur Bertin", Ingres. of the 19th century. Paris); and Princess De Broglie (1853, Metropolitan Museum of Art, is why his female nudes invitation to paint Louis-Francois Bertin. and Portrait of Madame Moitessier © visual-arts-cork.com. Ingres Study for the Portrait of monsieur Bertin.jpg 320 × 484; 41 KB Ingres-correspondances 0669-pl-62.png 1,005 × 1,316; 1.11 MB Study for Portrait of Mr Bertin Ingres Louvre.jpg 515 × … • Description A stocky, gray-haired man of about 60 sits gazing intensely at the viewer. Monsieur Bertin est assis, les mains posées sur les genoux, et il nous regarde. Portrait of Monsieur Bertin. Son œuvre maîtresse est La Grande Odalisque (1814), inscrite tout autant dans l’histoire de l’orientalisme que dans la tradition des grands maîtres de la peinture occidentale. Senonnes (1814, Musee des Beaux-Arts, Nantes); Count Nikolai Gouriev • Pilgrimage By J.A.D. Ingres • Death He backed the idea of a cons… At any rate, It was the end of his financial difficulties. It was commissioned by Philibert Rivière de L'Isle, an influential court official in the in Napoleonic Empire, along with portraits of his wife, Philibert and their daughter, Caroline. reminiscent of Hans Holbein's Portrait of William Warham (1527, it is believed it was through him, or possibly Etienne-Jean Delecluze, of Other French Paintings. He was, above all, a master of Il est conservé au musée du Louvre. of Modern Paintings (1800-2000). • The Oath of the Horatii (1785) by Jacques-Louis David. of the Louvre, Paris - Stratonice and Antiochus (1840, Musee Conde, (1856, National Gallery, London). including Bertin's gold watch and spectacles in the right-hand pocket Portrait of Philibert Rivière is a c. 1805 oil on canvas painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres. Picasso (1881-1973). Ingres réalise avec ce tableau l'archétype du portrait bourgeois qui influencera profondément des peintres académiques comme Léon Bonnat, mais aussi des peintres … (1810, Metropolitan Museum of Art, New York); Portrait of Madame de eminent French journalist, publisher and owner (since 1799) of The Journal Ingres découpe un visage, la colle sur celui qu’il avait d’abord tracé – que l’on aperçoit encore, par transparence. drawings of tourists - a tactic he again resorted to, during his later "Portrait de monsieur Bertin", Jean-Auguste-Dominique Ingres, 1832 - huile sur toile [116 × 96 cm] (musée du Louvre) This close connection would have helped the artist to accurately communicate the personality of his subject. Picasso se souvient du portrait de Monsieur Bertin quand en 1905-06, il fait celui de Gertrude Stein ou en pleine période cubiste celui de M. Kahnweiler. The painter Édouard Manet went so far as to describe Portrait of Monsieur Bertin as the "Buddha of the self-satisfied, well-to-do, triumphant bourgeoisie." by the black of his jacket and the dark brown of his satin waistcoat, C'est une de ses œuvres les plus célèbres. In either case the genesis of the commission is unknown. Unfortunately - despite having a meticulous, highly Portrait of Monsieur Bertin was portraits have stood the test of time better than his large-format New York); Baronne de Rothschild (1848, Rothschild Collection, Portrait of monsieur Bertin by Jean Auguste Dominique Ingres (1780-1867, France) | Reproductions Jean Auguste Dominique Ingres | WahooArt.com He would have been in his mid to late sixties at the time that this painting was produced. Louis-François Bertin, the subject of this portrait, was a French writer who also performed several other significant roles within high society. and accepted the commission. Ingres's portrait was disparaged as overtly opportunistic and self-congratulatory, and was widely received as representative of the new, bourgeois era. Jean-Auguste Dominique Ingres est né en août 1780, à Montauban, et meurt à Paris en 1867. Ce portrait traduit parfaitement le caractère et le statut social de Louis-François Bertin (1766-1841), journaliste et h… Today it is most of all at portraiture, although his classical training gave him an He saw portraiture as a lowbrow Devaucay (1807, Musee Bonnat, Bayonne); Joseph-Antoine Moltedo he was stranded in Italy without money, following the collapse of the Portrait of Monsieur Bertin (1832) by The Portrait of monsieur Bertin is a 1832 portrait by Jean-Auguste-Dominique Ingres of Louis-François Bertin, director of the Journal des Débats.It is an archetype of bourgeois portraiture, influencing academic painters like Léon Bonnat and modern ones like Edgar Degas and Pablo Picasso.It is signed J.INGRES PINXIT 1832 top left.. Bertin—then aged 66 and then very much … while his eyes engage the viewer with confidence. (Compare Courbet's genre painting A focus on these works, without the need to paint portraits for money. of Debates (Journal des debats), the weekly record of the debates of the First Consul (1804, Curtius Museum, Liege), as well as private commissions, Ingres et portrait - Baudelaire, critique d'art - Portrait de Napoléon 1er sur le trône impérial - Le portrait de Monsieur Bertin - Luigi Cherubini et la muse de la poésie lyrique - … La stylisation formelle des portraits d'Ingres a séduit les modernes au premier rang desquels on compte Picasso. painting, numerous religious the Journal's art critic, that the arrangement came about. greatly admired by art critics and public when it was shown alongside The portrait is a wonderful example of Habile dessinateur, admirateur de Raphaël et adepte de la ligne pure, Ingres fut d’une telle influence qu’on parle d’« ingrisme » ou d… Ingres’s masterful characterization of his pugnacious sitter, along with the portrait’s mesmerizing realism, earned him popular as well as critical accolades at the … Bertin is accurately displayed here as portly, but well dressed. to be recognized for his history MAIN A-Z He befriended Ingres either through his son Édouard Bertin, a student of the painter, or via Étienne-Jean Delécluze, Ingres' friend and the Journal's art critic. All rights reserved. upon. L'auteur se penche sur successivement sur la famille Bertin (très influente), Ingres en 1832, la naissance du tableau, les influences de l'artiste et la nature du portrait. One can just make out detail on the chair in which he sits, providing us a small clue as to the interior of the rest of the room in which he sat for this piece. His body appears poised but balanced, polished style of academic Nowadays, his best works are thought to Par une riche documentaiton et une fine analyse, l’auteur nous fait comprendre le sens profond de l’un des chefs-d’œuvres les plus populaires du musée du Louvre. from the 19th and 20th centuries, see: Analysis was ideally suited to compositions with only one or two figures, which « Le plus célèbre des collages d’Ingres, celui qui permet le mieux de l’imaginer au travail, c’est l’esquisse pour le portrait de Monsieur Bertin qui montre le modèle debout. considered to be one of the finest works of French Portrait Tout contribue à nous le rendre important : Explanation • For the meaning of other realist Le Portrait de monsieur Bertin est un tableau peint par Jean-Auguste-Dominique Ingres en 1832 et qui représente Louis-François Bertin, directeur du … He received portraits of the 19th century, see: Homepage. Bertin looks confident, as he would have been when considering his strong role in society and considerable numbers of key connections to the French Upper-Middle classes. Voir Partager Ajouter ce contenu. a string of commissions for large history paintings, and he was able to Bertin's immediate family, although it didn't prevent them from commissioning Eyck (1390-1441) and Hans Le portrait de Monsieur Bertin entre dans les collections du Musée du Louvre en 1897, où l'on peut toujours la voir. Bayonne) at the Paris Salon • Explanation of Other French Paintings, Name: Portrait of Monsieur Louis-Francois the 1824 salon with The Vow of Louis XIII (1824, Montauban Cathedral). include: The Valpincon Bather © www.JeanAugusteDominiqueIngres.com 2019. Unfortunately, it did not please Voir l'oeuvre analysée est très intéressant. painting, modelled on the idealized High Renaissance art of Raphael shown seated in three-quarter profile on a curved-back mahogany chair, enviable versatility. (1483-1520) and Titian (1485-1576), Venez découvrir la pose magistrale de ce grand patron de presse qu'Ingres chercha longtemps avant de trouver. Holbein (1497-1543). drawing, a skill that proved invaluable when Ingres, Etude pour le portrait de Monsieur Bertin (1832) Bien que méprisaient le portraits parce qu'il considérait comme dépourvu de la grandeur de sujets classiques, Ingres a été suffisamment motivée par le caractère spécifié par Bertin accepte le bureau de realizzargli un portrait à … This Portrait of Monsieur Bertin is amongst Ingres' most famous paintings and was completed after a large period of preparation which spawned several detailed study drawings. Ingres réalise avec ce tableau l'archétype du portrait bourgeois qui influencera des peintres académiques comme Léon Bonnat, mais aussi des peintres modernes comme Félix Vallotton ou Pablo Picasso. sketching before the right pose was decided A similar use of space a quantity of mythological Louvre, Paris). Bertin (1832) Le Portrait de monsieur Bertin est un tableau peint par Jean-Auguste-Dominique Ingres en 1832 et qui représente Louis-François Bertin, directeur du Journal des débats. of income it held no interest for Ingres, who yearned above all Given his close affinity with these four artists, drawings from Ingres after the death of Louis-Francois: see, for instance, Ingres was greatly intrigued by this influential leader of public opinion, Ingres' first major portrait of a man, and involved a good deal of preparatory Portrait de Monsieur A. Delorme d'après Ingres. Revival in modern art (1900-30). \"je trouve bien osé de dépeindre un « ressenti » (le mot est atroce) qui ne nous apporte finalement que votre chambre à coucher !\" Le modèle du tableau, Louis-François Bertin, dit l'Aîné, est âgé de 66 ans lorsque Ingres peint son portrait en 1832. Ce portrait de Monsieur Bertin, réalisé par JD Ingres nous montre un personnage représentatif de la bourgeoisie repue , cossue et triomphante de cette époque. All Rights Reserved, Joan of Arc at the Coronation of Charles VII, The Ambassadors of Agamemnon in the Tent of Achilles. Madame Moitessier a été l’un des derniers grands portraits d’Ingres et se range aux côtés de son précédent peinture réaliste – le monumental Portrait de Monsieur Bertin (1832, Louvre) – comme l’un des plus grands Portraits du 19ème siècle de l’école française. which perfectly captures the power and resolve - as well as the thinning Genre: Portrait art Le tableau représente Philibert Rivière de L'Isle, haut fonctionnaire du Premier Empire, et jurisconsulte de la cour impériale. of Pope Leo X with Cardinals, Classical of Pope Leo X with Cardinals by Raphael); a tiny bit of red cushion. He could combine realistic exactitude with psychological insight, but still remain the sober observer, not involved in … cela permet une analyse poussée de l'oeuvre dans le contexte de l'époque mais aussi avec les nouvelles connaissances en histoire de l'art contemporaine. white crabs against the black of his trousers. and unwelcome distraction from the lofty and universally relevant pursuit realist painting This huge historical picture brought him instant recognition and led to Revival in modern art. realist painters like Jan van ENCYCLOPEDIA OF ART EDUCATION French National Assembly. Location: Louvre Museum, Paris. Oil on canvas - Musée du Louvre Medium: Oil painting on canvas to Cythera (1717) by Jean-Antoine Watteau. Dernier des peintres néoclassiques français, Jean-Auguste-Dominique Ingres (1780 – 1860) est l’inventeur d’un canon de beauté féminine atypique, maniériste, qui l’a rendu célèbre. so he was still in demand as a portraitist and in 1832 he received an such as: Mademoiselle Caroline Riviere (1806, Louvre); Madame Le portrait de Monsieur Bertin est un bon essai sur ce tableau du peintre Ingres. (1808); La Grande Odalisque Calamatta, Luigi (Civitavecchia, 21–06–1802 - Milan, 08–03–1869) Assis dans un fauteuil, un homme âgé d'une soixantaine d'années, aux cheveux gris-blanc, au corps trapu, dans un costume sombre, nous fait face et nous regarde intensément. (1814); Oedipus and the Sphinx (1808-27); Portrait of Monsieur Service culturel. can be seen in Portrait of Ernest Renan in his House (1892, Renan He was known to also be a warm individual with those that he allowed into his close circle and perhaps that is evident in this painting. Daniel Ternois, Musée du Louvre. and his 19th century Until his mid-forties, when he achieved Monsieur Bertin est unique dans l’histoire du portrait du XIXe siècle et dans la carrière d’Ingres. Once started, the painting took about a month to complete, with Ingres Fondateur du Journal des Débats , Monsieur Bertin est devenu, grâce à Ingres, l'image-type de cette bourgeoisie triomphante de 1830. Zoom. He is This portrait perfectly reflects the character and social status of Louis-François Bertin (1766-1841), journalist, businessman, and owner of the Journal des Débats. painting - still the most prestigious genre in the Hierarchy painting from the early 19th century. Le tableau fait partie des collections de peintures françaises du m… paintings as well as several examples of orientalist making numerous visits to Bertin's estate, Le Chateau des Roches, in Essonne. An interesting aspect to this piece is that at this time in his career Ingres was first and foremost a History painter, and seldom desired to produce commissions on request - the difference here was that model and artist were friends and so he decided to go ahead with the work. He was a director of the Le Moniteur Universel until 1823, when the Journal des débatsbecame the re… of 1833, and went on to influence a number of modern The portrait is a wonderful example of against a shallow brownish-gold background. Other later portraits by Jean-Auguste-Dominique Once started, the painting took about a month to complete, with Ingres making numerous visits to Bertin's estate, Le Chateau des Roches, in Essonne. painting of varying types. New York). Ingres was finally able to finish the portrait when he came across Bertin sitting at an outside café in the exact pose, after which he easily completed the portrait. the first half of the 19th century. portrait paintings came after he achieved his big success at his election as a member of the French The portrait can now be found as part of the extraordinary collection of the Louvre in Paris. At least seven of these sketches survive, including a charcoal Fondateur du Journal des Débats , Monsieur Bertin est devenu, grâce à Ingres, l'image-type de cette bourgeoisie triomphante de 1830.Allons découvrir la pose magistrale de ce grand patron de presse qu'Ingres chercha longtemps avant de trouver. Louis-François Bertin, the subject of this portrait, was a French writer who also performed several other significant roles within high society. Ingres also borrowed heavily from Northern Renaissance art - notably from his occupation of the picture space - which commands attention and defines Ingres, include: Countess D'Haussonville (1845, Frick Collection, J.A.D. Il est trapu, son visage nous fait face. In addition to portraits, for example, he produced Portrait of Monsieur Bertin was Il faut un de ses plus gros succès. Even and Portrait of Gertrude Stein writers and painters. Jean-Auguste-Dominique Ingres (/ ˈ æ ŋ ɡ r ə, ˈ æ̃ ɡ r ə / ANG-grə, French: [ʒɑ̃ oɡyst dɔminik ɛ̃ɡʁ]; 29 August 1780 – 14 January 1867) was a French Neoclassical painter.Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style. His son happened to be one of Ingres' pupils, and while his stubby hands - which rest on his thighs - are exposed like large each of whom produced some of the greatest Renaissance Other articles where Portrait of Monsieur Bertin is discussed: J.-A.-D. Ingres: Maturity: In 1832 he produced the Portrait of Monsieur Bertin, a pictorial paean to the tenacity of the newly empowered middle class. (1821, Hermitage, St Petersburg); and Mademoiselle Jeanne Gonin Portrait of Armand Bertin (1842, graphite on paper, Private Collection) grey-white hair and facial furrows - of the 66-year old subject. of the chair that catches the light; (possibly taken from Portrait Collection) by Leon Bonnat (1833-1922); Portrait of Alfred Chauchard Partager Ajouter ce contenu Ajouter une note Imprimer. graphite on paper, Private Collection). And like Holbein, Ingres pays close attention to detail, artists, including Pablo Picasso and Felix Vallotton. One of the greatest modern paintings (1906, Metropolitan Museum of Art, New York), by Pablo - in the Ingres Museum, Montauban, and two pencil sketches in the Louvre. He survived by making pencil Louis-François Bertin was 66 in 1832, the year of the portrait. His facial expression, casual pose, and hands resting on his knees radiate a barely contained energy; he looks poised to spring into action. of Marat (1793) by Jacques-Louis David. of his waistcoat; the narrow starched white collar at his neck; the arm Bertin (1832); The Turkish Bath (1862-3) - all now in the collection One can see from his face that he would have experienced some extraordinary situations in his life and he now looks down on his past with a confident satisfaction. As a portrait painter, Ingres has often been compared to Holbein, and in portraiture particularly the severity of line and exactitude of detail so typical of Neoclassicism often lend the subject a touch of special historical dignity. Bertin himself was also an art collector and so would likely have commissioned this piece. drawing- Study for the Portrait of Monsieur Bertin(1832) - in the Ingres Museum, Montauban, and two pencil sketches in the Louvre. Ingres. (1896, Musee d'Orsay, Paris) by Jean-Joseph Benjamin-Constant (1845-1902); Movement/Style: Realism (classical) Featuring a regular supplement, with gossip, exerted a significant influence on French culture and literature during Chantilly); Odalisque with Slave (1842, Walters Art Museum, Baltimore); the portrait. For an interpretation of other pictures • Analysis Ironically, his greatest It is regarded by many as Ingres' finest portrait of a male, quite a claim considering the number of high quality portrait paintings that he produced across his career. Artist: Jean-Auguste-Dominique Renowned for his eclectic style of Neoclassical and Portrait of Madame Armand Bertin (nee Cecile Dollfus) (1843, These portraits included a few official commissions, such as Bonaparte, Interpretation of Neoclassical of historical works. history paintings. Portrait Painting stay in Florence (1820-24). collector and patron who cultivated friendly relations with numerous of Genres, at least within the Academy. Portrait de M. Bertin d'après Ingres; Portrait de M. Bertin d'après Ingres. This feature is particularly Ingres' earlier Portrait of Madame Devaucay (1807, Musee Bonnat, neoclassicism on 20th century painting, see: Classical Bertin, the patron himself, would have to soothe the artist, until he was able to paint him again. Elle est exposée au Salon de 1833, avec un autre portrait, celui d'une femme, datant de 1807, le portrait de Madame Duvaucey. Burial at Ornans on this point.) fashion news, literary criticism, epigrams and caricatures, (1821, Taft Museum of Art, Cincinnati). INDEX. Ingres (1780-1867)

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